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vintage valentine

The ones with groan-inducing puns are the best.

For the past several Valentine’s Days, I spread the love. Not having a “special someone”, I chose to express my feelings to all those who held a special place in my heart. In college, I baked cookies for all my friends. Last year I gave strangers free lipstick and shared the love with you, dear readers. The year before, not wanting to think of my recent vomitrocious breakup, I mailed out silly cards modeled after vintage Valentines.

This year I did nothing. I put nothing in the mail, nothing in the oven. I didn’t buy a round for Miranda and Charlotte when we celebrated “Galentine’s Day” on the 13th. I sent no texts nor even Facebook messages. I didn’t even call my parents on Valentine’s Day- I called them at 12:13 AM on February 15th. (Before you call me an ungrateful daughter, remember it was still February 14th for them on the west coast!) I could say I bought flowers for the apartment- they sit in the kitchen for all to enjoy. But honestly I bought them selfishly for myself. I always dreamed someone would get me Valentine’s Day flowers. After years of this never becoming reality, I realized I could get them for myself. They make me happy. It’s my chronically single tradition.

I can’t complain that no one got me anything for V-day. You can’t put out no effort and expect anything in return. I am no one’s Valentine and it’s entirely my own fault. Yes, it makes me a little sad. I am so lucky to have people in my life who love me and whom I love back. I should acknowledge them more. Yes, I know I don’t need a Hallmark holiday to do that, but it is nice.

So this Valentine’s Day I looked to other New Yorkers. To live vicariously through them. To be inspired by their gestures of love. There is nothing like walking the streets of New York, taking the train, and seeing so many with arms full flowers, balloons bouncing around their heads, stuffed bears peaking from shopping bags. I like to imagine their stories.

I made my way home last night after a very enjoyable event in Grand Central Station, a celebration of art sprung from Craig’s List’s infamous missed connections (more on that in a later post). I stood on the subway platform and desperately wanted to photograph all the tokens of St. Valentine that surrounded me. Emboldened by the two glasses of wine I had consumed at the event, I approached several. “Can I take your photograph? I’m a blogger, just doing a little piece for Valentine’s Day.” I only asked four people, but they all said yes. In fact, it was a joy to watch their faces lighten up from typical-New-Yorker where-the-f*ck-is-the-train expression.

Caleb

This is Caleb, the first person I approached. He looked friendly and I was struck by the beautiful, full bouquet of flowers he held in his hand. This was not a sad, generic looking bunch from a bodega. He had clearly put some effort into the assortment. “Who is your Valentine?” I asked him, and all others I approached. He replied simply, “My girlfriend.” I imagined her an adorable hipster-type, with ironic glasses and patterned tights. I like to think she made him dinner, a mix CD, and cupcakes spelling out I L-O-V-E Y-O-U for dessert. That she opened the door to greet him, squealed with delight at his bouquet, and flung her arms around his neck, “Happy Valentine’s Day, sweetie!”

tasha&kevin

This is Tasha and Kevin, whom I approached at Columbus Circle, obviously. The sheer number of balloons she carried was impressive, I only wished I could have seen them outside dancing in the wind. I interrupted their conversation to beg a picture and began to ask, “Is he your Val-?” Mid-sentence I rephrased myself, knowing how often I make situations awkward with such assumptions. “Who is your Valentine?” seemed safer.
“Him, unfortunately,” Tasha giggled.
“Good job with the balloons, man. That number shows a lot of love,” I said to Kevin.
“Thank you,” he said, “At least some one appreciated them,” he said, and grinned at his beloved.
I imagined them a couple who had been together on and off for years, only recently realizing they can’t live with out each other. They’d grow old together, and in 30 years, be that bickering old couple who makes your heart melt.

Vday Man

This man was in a hurry. Not waiting for the train, but coming off of one. I hesitated to ask for his picture, but did anyway, snapping this slightly blurry shot. I didn’t get his name, only asked who his Valentine was. “My wife,” he responded. I thanked him for stopping and he wished me a happy Valentine’s Day before quickly ascended the stairs. I imagined him rushing home to the love of his life, a woman who has stuck by him through thick and thin. I pictured him a man of few words, perhaps not one to always express himself. That gigantic balloon heart speaks volumes.

Ramon

This is Ramon. I was a bit intimidated to approach him as he seemed standoffish, but the moment I opened my mouth his demeanor transformed to friendly and open. I was intrigued because Ramon appeared to be carrying a great number- at least five- bouquets of different flowers. His Valentine is ”Devon”, a deliciously unisex name that left me unable to guess Ramon’s orientation. “And are all these flowers for Devon?” I queried.
“No,” Ramon stammered, clearly humoring me but a little out of his comfort zone with talking to strangers, “We are going to a group dinner, with my sister, some friends.”
“And your bringing flowers for everyone?”
“Yes, I don’t want anyone to be left out.” he replied.
My heart swelled a little, “That is so sweet. I’m sure you are going to make them very happy. Thank you for sharing that with me.”
I imagined this dinner party at a hip tapas restaurant in Chelsea. All Ramon’s friends there, stylish young professionals. I couldn’t imagine “Devon”, but I did imagine Ramon’s sisters face as it lit up with love for her kind and generous brother.

With these interactions, I was reminded of my love for this city. I suppose I did have a Valentine this year, the fabulous NYC. Cliché you say? That’s me!

Hope you all had a lovely Valentine’s Day! I’ve told you how mine was, I’d love to hear about yours!

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Every New Yorker has a handful of Subway Stories, funny/bizarre/gross/touching sights they have witnessed on the MTA.

Like the time I took the subway in January wearing no pants! Click for the full story.

This is a Subway Story of my friend Sage:

I was riding along the uptown 1 train and this young kid got on blasting music from his cellphone.  It was annoying everyone.  He had a crazed look in his eye and what happened soon after the doors closed confirmed what I had thought: He was looking for a fight.

An old man he sat down next to him politely asked, “Could you please that down?” To which this kid, he couldn’t have been more than 18, exploded. “Who the @#$@ do you think you messing with? Huh? HUH? I DON’T CARE. I WILL GO BACK TO PRISON! I DON’T CARE! TRY ME AGAIN OLD MAN! TRY ME!”  It was clear just by looking at him that he had, in fact, never been to prison.  Or probably ever been arrested.

The old man got up out of his seat and walked away.  Then the kid started staring at me.  Now I probably should not have done this, but I asked him what he was looking at (it was clearly me) and he started to go off again.

This was very crowded subway car.  Space cleared around him and me.  It looked like a fight was about to go down.  I stayed calm and talked to him in a relaxed, non-abrasive tone.  Asking him to sit down, and calmly explaining that he was frightening other people.

I didn’t budge from my seat.  He kept yelling his angry little head off at me.

Eventually he sat back down, steaming.  A few stops later a guy from the other end of the car came and sat next to me.  He gave me a nod and then started at the kid.  After a few more stops he went over and sat next to the kid.

“Excuse me,” he said very politely, “Can I ask you a question?”

Now you have to understand, this guy looked tough.  He was tall and had tattoos all over his neck and arms.  The kid looked at him.

“Sure.” Said the kid in a I-don’t-care tone.

“I heard what you were saying before.  About prison.”  He paused “Now, I’ve been to prison.  It’s not a nice place.  Why would you want to go there?”

I was shocked.  I had never seen anything like this in NYC before.

“Oh,” said the kid, “These people messing with me.  They think they can-”

“You’re not hearing me” said the guy with the tattoos, ever calmer then before. “Prison is not a nice place.  You don’t want to go there.”

I thought it was weird.  And lovely.  Kindness like that.

The kid got off a stop later.  I don’t know if the guy with the tattoos “reached” him or not, but I know he reached out.

I introduced myself to the guy with the tattoos later.  I thanked him for his kindness.  He told me that he had made some mistakes and was thankful that he was able to get out of prison.  And that he was now, just trying to keep it real and play it forward.

I haven’t seen that man since, but where ever you are sir, cheers.  You are one heck of a guy.

Thanks for such great contributes to New York Cliché! Check out his web series Copying Life!

Have a Subway Story of your own? I want to hear it!

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In college I liked to joke about how I had three homes. My Dorm ( senior year my very own oh-so-upperclassman apartment), San Francisco, and the Theatre Center. Since moving to New York the joke has changed to My Apartment, San Francisco, and the Subway. Up until very recently (I moved recently! To the Manhattan proper!) an unnerving amount of my time was spent on the subway. And waiting for the subway. And fuming, sometimes even muttering to myself that the subway FUCKING SUCKS wasn’t running properly. Using my mediocre math skills (it’s a Theatre BA cliché), if I wanted to I could calculate how much of my last year was spent aboard a subway. But it’s not a trivial sum and I fear that figure would upset me- we’re looking at over a month of my life.

The subway is many New Yorkers’ 3rd home, even 2nd home. It shows. We sleep on the subway, eat on the subway, put make up on, make money, make out, change babies, finish novels, puke, etc (guess which ones on this list I haven’t done!). Ask most anyone who lives in New York, they likely have a harrowing story (or ten) about something inappropriate/gross/bizarre/hilarious that they saw on the subway.

This past weekend I decided to take my pants off on the subway.

Yes, you read that right. Yes, I’m fully serious.

No, I’m not original.

Sunday was the 9th Annual No Pants Subway Ride.

No doubt you’ve heard of it but in case you missed the memo on this world-wide phenomenon (people participated in 41 countries!) here’s some press: The event was started in NYC by our resident troupe Improv Everywhere (check out their website, it’s fun) whose mission statement is to “cause scenes of chaos and joy in public places” like spontaneous musicals and throwing surprise wedding receptions.

Really, this news segment can give you the perfect 3 minute summary (that’s what news segments do best after all, I’m much better at wordy blog posts.)

See me? I’m in that crowd! (I don’t think I made the video though, I can’t find me.)

Riders on the subway weren’t too fazed. It was a little disappointing. NY subway riders are so jaded they don’t even blink when hundreds of people pull down their pants.  Plus the pants-less easily out numbered the pant-wearing. When we got off the subway in Union Square there was a moment of “am I really going to go outside (IN JANUARY) with no pants?” Answer: YES. It wasn’t as cold as I thought it would be. Organizers of the event met us with pamphlets COULD PANTS BE RIGHT FOR YOU? ARE YOU READY TO ACCEPT PANTS INTO YOUR LIFE? MISSING SOMETHING? ASK ME ABOUT PANTS!

The outside reactions were much better. Strangers on the street, easily tourists, “So how did you find out about this event? Why aren’t you wearing pants?” Oh you know, don’t you ever have those days where you wake up and just don’t really feel like putting on pants?

We brought our pants-lessness to a neighborhood bar where there were a whole bunch of fratty people watching the playoffs. The “Um okay….?” uttered by a girl clearly upset that her cleavage was being rivaled made it hard for me to keep a straight face. A man wearing pants sits next to me as we are just about to leave. “Ok. So tell me why you aren’t wearing pants? What’s the deal?” Oh my God! I forgot my pants, ok? Why do people keep mentioning it! I was hoping no one would notice! This is so embarrassing! With that I get up from my seat, grab my friends, and leave the bar. I love dramatic exits.

Why did I decide to take my pants off on the subway? Come on, if there’s something that society forbids you to do but on one day allows,  you do it! I knew it would be a funny experience. I also love the feeling  of being united towards a goal. The group events I go to usually have the goal to create change. Races, protests, even parades. The No Pants Subway Ride had all the comradery that’s amazing at Gay Pride or the AIDS Walk but there was no element of sadness, of fighting the fight. This was pure, unadulterated silliness.

Or maybe I did it to protest winter. Running around Union Square in my little pink underwear, laughing in the face of the teen degree weather I felt like I can beat the winter blues. That the days of running around in a bikini bottom (very similar to underwear, see?) aren’t all that far away. That’s life-blood to my chapped lips, scarf encased face, numb hands.

Or maybe I did it because, as we all know, I not so secretly aspire to be Carrie Bradshaw.

And if you’re really missing warm weather and want more pants-less inspiration (and more Sex and the City), this one’s for you (full effect starts at 1:06).

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Last night I went to the opera.

Opera has at least as many clichés as New York City, namely this one:

Its not over til the fat lady sings.

“It’s not over ’til the fat lady sings.”

When you ask someone under 30, maybe even 40 what they think of opera the average response? A “yuck” face or “I’d rather listen to the screeching of subway breaks” or “haha yeah right I’m not breaking the bank to go see that”.

Well my night at the opera contained no “yuck” faces, no fat ladies, no viking horns, not even a maxed out credit card.

It was quite an affair. We’re talking the Metropolitan Opera. This “is the most widely heard and known opera company in the world” (source: http://metropolitanopera.com/). 4,000 seating capacity and it is packed on a Thursday. World class. La creme de la creme. This is it.

I walk up the steps of Lincoln Center at 7:40, perfectly early, and get swept up in the droves of people entering the sparkling building. While the average age is probably close to 50, there is representation across the board from children to college students, young couples, little old ladies, other couples who have probably had season tickets for all 50 years of their marriage, gossipy party girls in tight cocktail dresses, gay men in jeans, tourists touting fanny packs, four matching fur coats it alarming succession, overdressed ladies in princess-esque ballgowns. Needless to say I don’t feel out of place but I wonder how the hell am I going to find my date among the masses? Oh right, it is the 21st century, cell phones exist. Duh. Though it’s easy to forget that when you step through the glass doors of the Met. There is such a feeling of tradition and nostalgic romance. The structure feels as though it has changed very little over its 125 years with lavish red carpeting, sweeping staircases, towering ceilings, gold elevator doors, and polished wood bars where beverages are served in actual glass or ceramic.

I have no trouble finding my roommate, my opera-virgin Met partner in crime, and together we make our way to the entrance where ushers scan our tickets (ah another reminder that it’s 2008) and direct us “to the left, four floors up.” Four floors up. We tackle the stairs which is the only way to go when you’re on a teeny tiny budget that doesn’t include a gym membership. And yet this same budget allows for opera tickets? Come again? It happens to be one of the best deals in the city, on par with the other Met (the Metropolitan Opera and the Metropolitan Museum of Art share this shorthand, which can be confusing) with its “suggested donation” where one can view four floors of world class art for the cost of pocket change, a sneer from ticket sales, and a little guilt that you only paid 73 cents (yes, it’s been done) when $20 is suggested. Here at this Met one can view four floors of opera for 15 bucks. There are movie tickets that cost more.

Four floors up means height.

Our seats are in the section Parisians call “Paradise” due to its proximity to the heavens and Americans call “the Nose Bleed Section” due to their lack of poetry and love of violence and gore. We’re looking down at it all- no neck strain from craning to see the glittering crystal chandeliers or the dozens of boxes that line the sides.

Later I overhear a man pointing at our section say knowingly to his companion, “Those are the best seats in the house. The acoustics are fabulous.” He’s right. The sound bounces off the ceiling right down to us and the listening experience is unlike any other theater I’ve ever been in. I can hear the whispers between the people next to me as clearly as if I was meant to be part of the conversation, shuffling and murmurs four rows in front, and every single cough anyone in the audience makes during pianissimo moments. Which might be annoying but I find it really cool, incredible even. The house is gigantic yet nothing is mic’ed. Opera stars, for that you undeniably put Broadway to shame.

The lights go down, the orchestra tunes, and the personalized subtitle screen in front of each seat (another notable change from 1883) reads For English, press button, for German press again, for… Button pressed. La Traviata Act I. The gold curtain rises on a gorgeously detailed 19th century drawing room. Performers enter and I feel like I’m looking inside a doll house or a museum diorama.

This is the ballet from Act II. It made me think of The Phantom of the Opera which I, and maybe you were too, was obsessed with at the age of eleven.

The altitude means details are lost, faces are blurred, and I’m already planning to steal a pair of binoculars from my mother (who, as an avid birdwatcher and opera enthusiast, has multiple sets) when I’m home for Christmas. But in spite of this miniature quality I still greatly enjoy the show. It’s a classic opera, Boy loves Girl, Girl has terminal disease so she won’t allow herself to love, Boy wins Girl over, obstacle keeps Boy and Girl apart and in the end when all is resolved and they could live happily ever after she instead dies of TB in his arms (and unlike in Rent there is no ridiculous resurrection). The music is breathtaking, moving and brings me back to my high school days where I was a “chorus girl”, a singer much more than an actor, and the several music classes I took in college. I still may not listen to classical music in my free time but I most definitely appreciate it.

Two intermissions, numerous arias, and one tragic finale later the curtain closes. The audience irrupts into applause and bravas! as confetti (the 21st century’s pathetic substitute for roses) rains down on the singers taking bows. Wow, what a night and wow do I feel cultured.

We travel down the staircases, out into the chilly November air, and head for the subway. It’s been a long day and opera demands active listening, so we are both exhausted and greatly looking forward to sleep as we board the subway. 35 minutes later the end is insight, we’ve got one stop to go. My roommate’s preparing for the outside cold by putting on extra socks and the man sitting across from us is adjusting his pants. Maybe you know where this is going, but it takes me a lot longer: “Haha, subway riders are funny. We put on make up, we change socks, we shed layers. We tuck our shirts in. Which this guy across from us seems to be having trouble accomplishing..Wait..no…NO..NO HE CANNOT DOING THAT! FUCK! HIS PANTS ARE AT HIS ANKLES! FUCK! FUCK! COULD SUDDEN MOVES BE DANGEROUS? FUCK!” We dash to the next car EW EW EW hoping the train is about to stop and doors open quickly. Fortunately that series of events pans out and the other scenario- where the big scary man chases after us, his pants around his ankles, penis in hand- is left to haunt me only in nightmares. Well the night just went from awesome/beautiful to disgusting/can’t get any worse, and thank god it doesn’t. Our other roommate has just gotten off work and he picks us up with in moments. We recount our tale of woe and his reply is, “Well yeah, you live in New York City and take the subway. It was gonna happen sometime.” And through the disgust and violation I can’t yet wipe off my face (major “yuck” face) or shake from my body, I laugh. Could the night have been anymore contrasting and New York cliché?


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Being in the theatre world is such an advantage/disadvantage paradox. On the one hand I have automatic community, automatic camaraderie, automatic sympathy with a large group of New Yorkers when I admit “I’m an aspiring actor.” I’ve been lucky to land a job where this makes perfect sense to all my coworkers. When I’m in the city I almost  interact with people to whom this makes sense. Where it makes sense I’ll work a shitty unfulfilled failing hundreds of times to land the job I really want. I’m a New York cliche and New Yorkers understand that. Outside the city, I’m a freak, a derelict, a slacker, a stupid, naive, damsel in distress. A ”what if you could get a better job?”, a “don’t you realise the odds are mad/wicked/hella stacked against you?”-  the perfect ”don’t you realise you won’t be a movie star? let me save you from your silly delusion. And as that’s the case why the hell would anyone want to be an actor?”

Because I can’t not be. I can’t explain it better than that.

Thank god I can be in a bubble where that makes sense.

Of course this bubble is relatively small. They say the theatre world is a small one. And it is, as all accounts of my previous post attest.

And yet the island has proved surprisingly small even outside my bubble. Let’s journey from the semi-theatre related (because let’s face it, it’s hard for me to break away) to totally non-theatre related through this series of ”It’s a Small Island” posts.

On the same rained out night where I was mistaken for Lauren Ambrose, I was making my way over to a house party in Brooklyn (and if I lived in the apartment where said party took place, my cliche-ness would be complete. The perfect cliche Brooklyn residence complete with view.) The premature ending of the show left me with a couple hours to kill, which was no problem- two hours after leaving the theater I’m down 70+ blocks trying to catch the L. And there standing next to me are two people who had tried to see the show that night. Who had stayed until the final announcement after one hours wait in the rain and one soaking to the skin. I had admired their perserverance and “eh, it’s ust water, I’m too cool for an umbrella anyway attitude.” And they were both around my age and kinda cute and ok, which didn’t hurt my remembering them 70+ blocks and 2 hours later.

So we’re standing on the platform and I do something very out of character. I approach them, I chat them up. It was a victory in my ongoing battle against my insufferable “I make people come to me” nature. They were from Canada. Now residing in Brooklyn. I learned the key differences in American and Canadian dialects (we say “roof” they say “ruff”) and that in Canada every Walmart has a McDonald’s in it (eeeeeew), and the most valuable lesson: if you want to go up and talk to someone, just fucking do it.

in the works: NYPride (Mika you should give me access to pictures so I can post them), I got a new (totally cliche) job, Scottish con men, Central Park Guy update, Bronxville and moving out of it

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