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Posts Tagged ‘actors’

Like most 20-something singles in New York, I’ve dabbled with online dating. It’s so easy, I figured, why not? Well, I never got exactly what I was looking for. A couple decent dates, a score of boring ones, some interesting people, many drinks, a few good stories: this more or less sums up my experience.

I did meet one guy with whom I had a ton in common- both actors who use their bikes as a main form a transportation, we love walks in the park, and have been called hippies more times than we can count. Each a self-proclaimed goof with no greater joy than putting smiles on people’s faces. Spontaneous. Even our physical descriptions are humorously the same: dark blonde, blue-green eyes, relatively tall, fit, great smile.

The old saying goes “opposites attract” and like most clichés, it carries some truth. On the computer screen, he looked like my perfect match. But once we were face to face it soon became apparent we were meant to be friends not lovers. So we became friends and that friendship? It’s the best thing I’ve gotten out of my entire experience of internet dating. We see plays together and he always helps the women to men ratio when I throw parties. He’s easily the sweetest, most passionate, optimistic, and inspiring guy I know. To top it off, he’s this week’s featured Other New York cliché! Sage, I pass you the torch!

If he looks familiar it’s because he’s been featured in several nationally shown commercials. Or you may have seen him filming his web series throughout NYC.

Name/preferred pseudonym: Sage Suppa

Borough and neighborhood: Manhattan, Harlem (Hamilton Heights if you know the area)

How are you a New York cliché? 

1. Now, I’ve read a good deal on Buddhism and am a big believer in peace and positivity amongst our fellow-man. I would consider myself to be very far from a violent person. Still, every time I get stuck behind a 20-person group of tourists taking up the entire sidewalk, walking along at a pace that would make a turtle go “Come on!”, I have flashes of ripping off all my clothes, turning completely green, and going on a rampage.

It only lasts a second or two.

2. Where I live in Harlem, artist and creative types always talk about the hustle.  I try to take part in this by doing my “art” and having six part-time jobs to stay afloat. My “art” being an actor, writer, director, producer, editor, teacher and acting coach.

They say no one who lives in New York is actually from New York. Where are you from? I’m from the suburbs- Stamford, Connecticut.

Bloomberg is banishing you from NYC. You have 24 hours before you have to pack up and leave for ever. How do you spend them? I’d start my morning off by doing something I’ve always wanted: I’d finally go up to the top of my building and look out over my neighborhood.

Then it would be a bike ride from under the George Washington Bridge to Central Park, where breakfast would be served under my favorite tree.  After breakfast, I’d give that tree one last good climb, then take a stroll down through Times Square.  I’d take a hard look at everything there, and try to sketch it even more permanently into my mind.  After that I’d sneak into an empty Broadway theater where I’d walk on to the stage and probably start to cry.  I’ve dreamed of being on a Broadway since I first discovered the magic of theater at age 13.  The thought of being banished from a city I really love, along with where I’ve always hoped that love would take me, would be very difficult to handle.

After my tears dried up I’d to do some Romeo lines to the empty seats.

Lunch would be found in Tompkins Square park where all my friends in the Free Arts Society (an NYC arts collective I’m part of) would be throwing “a happening.”  I’d want it to be something like the Mad Hatters Tea Party that we threw last summer. It was a huge party to encourage kids to be creative.  We had all the characters from the story (even some made up ones), a long table, tea, tons of music and creativity in the air. The best part? I got to be Alice. I still have the dress.

He makes a strangely cute girl/Alice, no? See video for the full in motion affect.

The magic of that day would be the send off I would have with that group of friends. They’re very dear to my heart. I always felt “right in my bones”, as the saying goes, around them.

From there, a trip to Governors Island.  It would be one last peaceful stroll away from the chaos of the city; one last look at, the way immigrants on ships would have seen, the Statue of Liberty. I’d also have one last very delicious jerk chicken wrap from the Jamaican cart that’s always station on the far end of the Island.

Then it would be night.

I’ve had on my bucket list since I moved to NYC to play a rock and roll gig on the main stage at Rockwood Music Hall. My guitars and harmonicas would be set up and every musician I know would be there, along with my father (who’s a drummer. I don’t get to play music with him that often because he and my mother live out in the suburbs, but man I love playing with him). I’d put on my bandana and we would jam out on Johnny B Good, Stevie Wonder, the Blues, Stone Temple Pilots, John Legend and any other song called out from the crowd.  After hours of this, after I was drenched in sweat, and the lights had changed for the 300th time, and I’d almost lost my voice, I’d close the set with a song I wrote (I’ve written a few songs here and there, but I’ve never played any of them out in public).

I’ve only ever seen him play his acoustic and he totally rocks it- perfect accompaniment for waiting for Shakespeare in the Park tickets

After much celebration I would take a long walk, all alone, over the Brooklyn Bridge.  I’d get some ice cream from that little shop right underneath the bridge on the Brooklyn side, and then I would go into the park that’s there, eat my ice cream, and as my time ran out sit and start at downtown Manhattan all lit up against the night sky.

I’d think about all the wonders I’d had. All the people I’d met. All my hopes and dreams. I’d smile a little and think:

“Man, how can anywhere else on earth ever compare?”

Then the smile would fade. Because deep down, I’d know, just as many other fellow New Yorkers do: there is nowhere else in the world that even comes close.

As I reached my last minutes, and then seconds, I would stay, sitting in Brooklyn Bridge Park, trying to be Zen. Trying to live in the moment. That’s all I’ve ever tried to do while living here in New York. It’s all I’ve ever tried to do with my life.

I would sit there. They would have to drag me away. Because I, most certainly, would never leave this place by my own accord.

What restaurant/bar you keep going back to, even though you’ve been meaning to try a dozen others? Honestly? Chipotle.  I can’t help myself.

Hot dogs or pizza? Oh, pizza.  Hands down.  I’ve eaten if for breakfast, lunch and dinner… all in the same day. For some strange reason hotdogs make me burp.

So you live in NYC, but what’s one super-touristy thing you secretly love? I love going to museums and finding out about New York’s history.  ”This Day in NY History”, on NY1 is a favorite.  Finding out where people lived or where famous events took place makes me giddy.  A block from where I live, Washington fought the British in what would be a very important battle of the Revolutionary War.
Moments like this sum it up the best:  The other day I was on my way to an audition, walking down 28th St, like I had 200 times before. I happened to look down and notice a small plaque in the ground:
You must understand, this plaque is very small but what it signifies is huge.  Tin Pin Alley was an incredibly important place in terms of what music is here in America. Had it never existed, today’s music wouldn’t either.  Tin Pin Alley was a hot spot for songwriters and musicians of every type.  As important a melting pot area as the Harlem Renaissance.

I saw the plaque and stopped.  I didn’t even care that the person behind me ran into me and cursed loudly asking “What are you? A @#@ing tourist?”  I had walked this street countless times before and never knew, that for music, it was hallowed ground.

I don’t know if that’s touristy, but I like learning about stuff like that.

A boy at Yankee Stadium- total New York cliché

What is your favorite fictionalized New York? How does it compare with reality? My favorite fictionalized New York can be seen in the movie The Naked City.  It’s an old black and white, “who done it?” film.  In it you see what the city was like back in the 40s and 50s.  It’s a fun film because, along with the plot, the writers make the city and its people a character.  You see what Queens looked liked when all the brick housing developments where first made.  I was overjoyed to see the final scenes in the Lower East Side because it’s one of the places I work.  I know those streets, in the present times, like the back of my hand. In the film you see what it looked like back in the day.  It’s pretty fun.

The film plays the city very real and close to the chest.  In terms of comparison, the only big difference is the times.  And buildings that have been torn down.

Plug something! Be it something you are involved in, your significant other/roommate/cat is involved in, or just something you think is extra-special going on in NYC.  

For five years now I’ve been working on a web series called Copying Life. It’s about art imitating life. Without consent.  The characters are in their twenties, dealing with what they are trying to be.  And what that’s like in New York City.  Each character has their own vlog and Facebook page where they talk about themselves and their art.

I especially love this series because it fits perfectly with my theme of New York clichés. This is Sage’s labor of love, he does it all as director/writer/actor/editor. Click the image for the youtube channel!

Here’s the intro to the show: http://youtu.be/lpf0bs85_ZY 

Here are the current four episodes, with more on the way: Episode 1 Episode 2 Episode 3 Episode 4

And one of the “Making Of” videos http://youtu.be/c-9i4_0hGQM

Devoted readers of this series may have realized two questions were neglected: Ever had a run-in with a celebrity (A-D List)? and You totally saw something weird on the subway or street today (you may not have registered it was weird because you are jaded), what did you see?  Sage had such good stories for each of these questions, I decided to give them their own posts. Look for one tomorrow and another next week!

Thanks so much, Sage, for being part of my Other New York clichés feature! Looking forward to the next episode of Copying Life and very much hoping to catch Into the Woods with you later in the month!

What do you think of this series? Love it so much you want featured? Fabulous! Email NewYorkCliche@yahoo.com.

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Every day when I walk to the subway I walk past Lincoln Center’s Vivian Beaumont Theatre (I also walk past Juilliard, Alice Tully Hall, Laguardia High School of Performing Arts…not to make you jealous or anything…) South Pacific was just playing there and oh am I sorry if you missed that show. It was beautifully done and really would make anyone miss the classic Broadway musicals, Rodgers and Hammerstein. I was lucky enough to see it with my old high school friend. He and I had been in the show our senior year of high school (South Pacific is a terrible show to do in high school FYI, but especially when your high school is 60% Asian because non-traditional casting just doesn’t work in the show as race is the huge theme of the show.)

I’m sad the show is over, not just because it is a show I would have liked to see again (though it did have an airing on PBS of a live performance- you should check that out). I’m sad because on my walk home I will no longer see this sight: A man with a crew cut, a button up short sleeve shirt, and snug, high waisted (by today’s standards) pants looking like he’s straight out of WWII era, leaning against the wall smoking a cigarette (totally completing the 1944 image the cigarette does).

This was some guy in the chorus- I bet you the same guy every time- that I saw many a night on my street. He always made me smile, not just his picture perfect 40′s-ness but the fact that he defied everything the director of my highschool’s South Pacific said. Do you think Broadway actors do things to destroy their instrument like smoking? You can bet they don’t! Defies the costume designer too: Broadway actors don’t eat in their costumes, they don’t go outside in their costumes, they treat their costumes with great care, and so will you! Through college they did this to us too Do you think Broadway actors don’t know their lines 2 weeks before the show?? Broadway has always been the standard, we’ve always assumed it’s where everything is perfect and perfectly professional, and perfectly flawless and nothing less. But now I know the truth! I’ve seen it with my own eyes! Broadway is where you take smoke breaks between your scenes on the street outside the theater (where nosy little aspiring actresses will see you and get all excited)!

There was a dumpster outside the theater with general debris, “South Pacific Backstage” signs, and prop plants from the show. I thought about taking one as a souvenir but then decided I was above it. Had the same debate about asking my smoker to sign my program. I may be a nosy little aspiring actress, but I still have my pride.

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A Frequently Asked Question about my time in the Renaissance is: “Did they feed you?” Did you eat nothing all summer but turkey legs and fried dough? Perhaps the subtext of this question, which I didn’t realize until now, was “Are you going to come back to New York a blimp? (then you can play the Nurse in R+J!)” The answer is no. No, they did not feed us, no I am not a blimp. But they did give us eating guidelines. We could eat Snickers bars “back stage” but were mandated to eat “period food” any where patrons might see us. Yep, we called it “period food” and that didn’t mean chocolate. “Period food” is food that was eaten in 1585. Like parsnips…though I never saw anyone eat one of those. Think carrots. Bread and Cheese. Melons!

I had it in my head that eating an entire melon (cantaloupe) by myself had grand comedic potential. Just sitting, a half in each hand, shoveling the pulp into my mouth and spitting out seeds- that image looked funny (in my head). I imagined swallowing a seed and having a nervous breakdown about a melon tree growing in my stomach. What I neglected to consider was how time consuming eating a whole melon is. I sat down to eat it and would get interrupted after only a few spoon fulls. This was rather inconvenient- I was without the use of both hands, each occupied with melon rind- but looked pretty funny. A pirate running around with melons in her hands? I don’t know what she’s doing, but it looks ridiculous.

I ran into Sir Francis Drake, my character’s huge unrequited love, whilst in this predicament: both hands full of melon. In his presence my character is usually rendered some what speechless; unable to string sentences together, babbling incoherent confessions of love. A patron took pity on me and tried to help me communicate with the man. She decided the melons were only distracting me and that I needed to get them out of my hands. So, unknowingly, she asked Sir Francis to hold them.

Sir. Francis. Drake. Holding. My. Melons. SirFrancisDrakeholdingmymelons!! Oh Lord did my character freak out. And how funny a thing is it to say “SIR FRANCIS DRAKE TOUCHED MY MELONS”? I ran around for quite some time telling EVERYONE. In earnest. Not in a “haha I realize the double entendre I’m pulling here”. No. In “Look at these slices of melon, MY melons, and look where HE touched them!” complete sincerity.

At some point it clicked in my head that I could take it to an extreme level. When such a realization happens, an improv performer can’t say no. I took my head scarf, and begged “Mistress Geraldine, the best hat maker in 12 towns” to make me a hat. A hat out of the melon (which I had carefully scraped clean of pulp for the purpose). Hesitant though she was, I got the melon rind tied onto my head. Babbling about the touch of Sir Francis Drake seeping through the melon, through my head, and through my entire being, I wandered around for the rest of the day with a melon on my head garnering stares, double-takes, bewildered looks, and guffaws. My favorite reactions.

This may have been my most brilliant performance moment of the summer.

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I am not exactly the young engenue,  leading lady type. I am more the quirky⁄weird⁄flat-out crazy type. Those are the roles I find most fun, no question. But, probably because I am not fat (which I am convinced is the only reason I was not cast as the nurse in my college production of Romeo and Juliet-three years later, still not over it), I occasionally do get cast as the Romantic Lead.

My very first semester of college I was cast as Catherine, the love interest, in Pippin. I was super excited, my first semester of college, my first lead in a musical. In my high school freshmen never got big parts, so to me this was a Big Deal. The (cute) guy that was supposed to play Pippin dropped out (hello college theatre) and it took the director (“director” I should say, he was the poorest excuse for a director I’ve ever worked with) a while to find a replacement. I waited in anticipation. Would this new guy be my love interest on and off stage? That’s the sort of thing that happens in college, right? As this was musical theatre, I figured if not a boyfriend, at the least I would get a gay boyfriend. I was in need of both after all. I vividly remember Pippin walking in the door. Slightly overweight, bad skin, and poorly dressed. Not My Type. Not Gay. Fuck. Ten minutes after introducing myself to him I added “boring” to the list. The next day after rehearsal, I added “mediocre singer, abysmal actor, AND he smells funny” to the list. (Knowing my luck, he probably reads my blog…)

Hey, I was a bitchy, judgemental, disappointed, sullenly single, freshman (I’ve grown up since, I swear). Could I make it more clear he was not a love interest off stage? And yet, every one thought otherwise. Rumors flew around the cast I had a huge crush on him, friends came to see the show and raised eyebrows. You act like you’re in love with someone on stage, people watching that don’t understand it’s acting. Freshman year I was upset, offended- “You think I like him!? GROSS.” By the end of the run of Pippin, I learned to take it in stride. Now it’s as a huge complement if I’m accused of being interested in my onstage love interest, if his girlfriend gives me a mega Stink Eye after seeing the show. Clearly I’m producing a convincing, believable performance. What more could I want?

So did I have a crush on the guy who played Sir Francis Drake this summer? No I did not. But thanks for asking.

I still haven’t gotten to melons…more on melons to come.

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I got a day job.Here is my office:

Here are others who occupy the building:

The most famous. He's sold out though (not that I blame him)- he now has Viacom (literally) all over his ass.

The most famous. He’s sold out (not that I blame him) and now (literally) has Viacom all over his ass.

The [deflated/aged] Naked Cowgirl. Not only knocking off the Naked Cowboy but also knocking off a previous Naked Cowgirl. Girl should not be running around in skivies but hell, power to her.

The [deflated/aged] Naked Cowgirl. Not only knocking off the Naked Cowboy but also knocking off a previous Naked Cowgirl. Girl should not be running around in skivies but hell, power to her.

Lady Liberty. She (he? who knows?) is scary cause you can't see her (his? see my point?) face!

Lady Liberty. She (he? who knows?) is scary cause you can’t see her (his? see my point?) face!

Spiderman. Yep, he's dressed up like Spiderman and runs around posing for picture. Again, not a big fan cause you can't see his (but you can tell that) face.

Spiderman. Yep, he runs around posing for pictures. Again, scary cause you can’t see his (though you can tell that) face.

Yes ladies and gentlemen, I am working the streets. Oh God, we always joked the only thing a theatre BA would qualify you to do was suck cock and that “Become a whore.” was a fun answer to “So what are you going to do after graduation?” but we never actually thought you’d do it! What has the Big Apple done to you!?Unbunch your panties. I have not plummeted from the Prudy Judy side of the spectrum to the lowest ring of the Slutty Butty side (although events from the previous weekend make for speculation ummm… that’s another story!) No, I am not a nooner hooker. No, I am not running around dressed up as Giselle posing for pictures with tourists. Although that is not a bad idea….I’d be awesome at pretending to be a princess and totally fulfill childhood fantasies to boot.Can't you see me?

So what the hell am I doing? I am working for “the man” (and that’s the biggest hint I can give) of the theatre world. Doing publicity for Broadway shows. That’s what I tell people, especially if I’m trying to sound like I have a fancy grown up job. “Publicity for Broadway”- sounds like a career,  right? Ha. This “publicity” = me standing on a street corner, wearing a blue visor and t-shirt, looking like a camp counselor (Just an observation: fewer people wear visors than ponchos these days, they aren’t even favored by tourists) passing out fans. The fan is the brilliant summer alternative to the pamphlet. It’s a piece of paper attached to a popsicle stick- that makes it a fan and thus a souvenir. A free souvenir. That makes people want them. And they don’t just get shoved in a pocket like a pamphlet. People wave them around, literally all over town. I’ve seen them up in Central Park, in Chinatown, it’s crazy. Crazy, brilliant advertising. So I stand there, hand these out to people “Is it free? Really?? AWESOME!”, answer stupid tourist questions, smile a lot, people watch like it’s my job, and get paid $18/hr. Compared to what I’d be making as a prostitute, that’s nothing. But it’s pretty sweet for the amount (really lack there of) of effort I put out.

My actually like my coworkers. I was a little apprehensive at first because they are very musical theater- jazz hands, fan kicks, and all. It was a bit much for me on first reaction. But now it’s simmered down. We all share a tiny room stuffed with boxes of fans- close as hell quarters- and I don’t as of yet have urges to kill any of them. I don’t even flinch when they call me sweetie/baby/darling 20 times a day. I somehow find it endearing. Though I’m not spouting pet names out to all my casual acquaintances, I can see it happening in the future and I have to ask myself- is that risk worth the $18/hr? Only cause we’re in a recession.My coworkers know more about the theatre world than I do, which is a cool and rather unusual experience for me. For the most part they’re older than me, too. Which I greatly prefer. I don’t feel like I’m wasting my life yet, it’s just not prime. It’s also awesome because most of them are working actors. One just finished filming a network-ABC-tv show. One just quit to go on tour with Cats. Several have been in Off Broadway shows. My supervisor was up for the part of Simba in The Lion King until he befell an awful throat disease (he’s bitter and amusing). It’s great to be around working actors. And here we all are working for the theatre man in menial labor tasks. I’ve got a bright future: I always wanted to see the lights of Broadway. Now that’s my job. Perhaps this gig is the closest I’ll get. Time’ll tell.

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Being in the theatre world is such an advantage/disadvantage paradox. On the one hand I have automatic community, automatic camaraderie, automatic sympathy with a large group of New Yorkers when I admit “I’m an aspiring actor.” I’ve been lucky to land a job where this makes perfect sense to all my coworkers. When I’m in the city I almost  interact with people to whom this makes sense. Where it makes sense I’ll work a shitty unfulfilled failing hundreds of times to land the job I really want. I’m a New York cliche and New Yorkers understand that. Outside the city, I’m a freak, a derelict, a slacker, a stupid, naive, damsel in distress. A ”what if you could get a better job?”, a “don’t you realise the odds are mad/wicked/hella stacked against you?”-  the perfect ”don’t you realise you won’t be a movie star? let me save you from your silly delusion. And as that’s the case why the hell would anyone want to be an actor?”

Because I can’t not be. I can’t explain it better than that.

Thank god I can be in a bubble where that makes sense.

Of course this bubble is relatively small. They say the theatre world is a small one. And it is, as all accounts of my previous post attest.

And yet the island has proved surprisingly small even outside my bubble. Let’s journey from the semi-theatre related (because let’s face it, it’s hard for me to break away) to totally non-theatre related through this series of ”It’s a Small Island” posts.

On the same rained out night where I was mistaken for Lauren Ambrose, I was making my way over to a house party in Brooklyn (and if I lived in the apartment where said party took place, my cliche-ness would be complete. The perfect cliche Brooklyn residence complete with view.) The premature ending of the show left me with a couple hours to kill, which was no problem- two hours after leaving the theater I’m down 70+ blocks trying to catch the L. And there standing next to me are two people who had tried to see the show that night. Who had stayed until the final announcement after one hours wait in the rain and one soaking to the skin. I had admired their perserverance and “eh, it’s ust water, I’m too cool for an umbrella anyway attitude.” And they were both around my age and kinda cute and ok, which didn’t hurt my remembering them 70+ blocks and 2 hours later.

So we’re standing on the platform and I do something very out of character. I approach them, I chat them up. It was a victory in my ongoing battle against my insufferable “I make people come to me” nature. They were from Canada. Now residing in Brooklyn. I learned the key differences in American and Canadian dialects (we say “roof” they say “ruff”) and that in Canada every Walmart has a McDonald’s in it (eeeeeew), and the most valuable lesson: if you want to go up and talk to someone, just fucking do it.

in the works: NYPride (Mika you should give me access to pictures so I can post them), I got a new (totally cliche) job, Scottish con men, Central Park Guy update, Bronxville and moving out of it

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I have yet to move, nothing else in my life is set up, I’m sure as hell not ready to enter the real world.  Inspite of that, everything is perfectly in order for me to begin grown-up life as a New York cliche.

I just graduated from a north east liberal arts college with a BA in a perfectly useless field. I am broke as a joke. I have no where to live. I have a job that would be considered decidedly shitty to most other people and barely pays minimum wage.  I find myself singing Avenue Q simply because it sickly mirrors my life.

I have 4 days left before I take residence on a friend’s parents’ couch in Westchester county and start artsy job. Ushering at a big huge theater in the city. Which I am psyched for. Even though the training I endured for it was mildly painful (perhaps because I sat for 8 hours on the Chinatown bus for 3 hours of paid training which almost covered the monetary cost of my ticket…but if time is money- ouch). The training itself was straight out of a movie. Complete with the perfectly cast orientation leader who was gay gay gay and queeny and had a tone like you wouldn’t believe. He loved being up infront of us acting in the one man show “Don’t Touch the Patrons and Tuck in Your Staff Shirt”! Limited one night Off-Broadway showcase! Theatre people are weird. I am one of them. Guilty. But I was sitting there watching us with outside perspective. We are ridiculous, annoying, clicky as hell, dramatic, loud, exclusive. And we love it. No wonder actors get a bad rap.

Four days. Four days to realize I have too too much shit. Waaaay too much shit for the shoebox living that is New York. Four days to decide what I can live with out, what I can hope to not miss. Four days left of living in this depressing post industrial town. And my luxurious gigantic apartment. Yes, I can appreciate it as both those things after a few page clicks on craigslist. Four days of shitty restaurants, depressing people watching, horrible public transportation, no creative stimulation. Four days of safety in this bubble that I can’t even call my own any more.  Four days and then who knows how long of not being in a play, not having a strong unit of friends right there for me to root for me during auditions or come hold my hand if I relapse into Tonsilar Phlemona.

Exciting. Scary. duh.

I’m still trying to figure out why I cried for 3 hours after graduating. Crying through all hugs, all good byes, at absolutely every worst possible moment-to-be-crying. Whether it was sadness about all the things I know and will miss or fear of all the things I don’t know.  Yes, likely a mixure of both but I can deal with the known. How ever sad it may be. And hard to let go. The unknown…that’s harder.

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