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Posts Tagged ‘shows’

“Where are you going?” my roommate asked me at 9:40 on a Thursday night. More than occupied with my twice-daily struggle to get my bike out of my closet-sized room, it took me a moment to respond. When both wheels emerged out the door and I stood triumphant, Brooklyn I replied, Brian has a band thing. “Ah, that’s why you look so cute,” she said. Whenever I go to Brooklyn, I feel like I have to dress for Brooklyn. That’s partially the reason I am bringing my bike: it’s my hippest accessory. That and I’m running late! I said wheeling my bike out of the apartment in a single, swift movement, See you later!

Something about Manhattan has always felt like home to me. Something about Brooklyn never has. Whenever I step on the L Train (which connects Manhattan to Williamsburg, Brooklyn) I feel ever so slightly like an outsider. Maybe it’s that too many people own cars in Brooklyn or that the buildings don’t block out the sun. Maybe it’s because my bike isn’t a fixie. I don’t look out of place in Brooklyn, and really, my cliché as a struggling actress is lacking because I don’t live there. But it just doesn’t feel like home.

Home on one side of the river, Brooklyn on the other.

Maybe it’s because I don’t spend enough time there. Going to Brooklyn is a trip for a Manhattanite. Going to Manhattan for a Brooklynite is routine. Tonight I am making the trip to see my buddy’s band, Snake’s Say Hiss. This was something I’d been putting off for months. If it wasn’t one thing it was another: I was working, none of our mutual friends were going, “It’s such a late show and it’s in Brooklyn.” Like I recently posted, I’m tired of excuses. So I was going to this show, in spite of the fact none of our mutual friends were going, his band wasn’t going to be on until about 11pm, and it was in Brooklyn.

The venue was about a mile away from the subway stop (another reason I usually would have opted out of going) and that’s why I brought my bike. (Yes, I’m that girl who brings her bike on the subway. Don’t give me dirty looks, it’s perfectly legal and it takes up less space and makes way less noise than a stroller.) I’d never biked in Brooklyn before, except in Prospect Park, and riding on the streets gave me a new perspective. It’s a biker’s paradise, the majority of streets have bike lanes. Sailing along the deserted roads, the cool May air flapped through my jean jacket. “La lune!” I over heard a group of obviously french people, which prompted me to take my eyes off the road. A cresent moon was rising above the Manhattan skyline. Glorious. Maybe Brooklyn deserved a second chance.

I arrived at the venue and pulled out my wallet to pay the entrance fee when my buddy came bounding up,”You’re on the list!” My teenage-self would have been so jealous. Even more so of the drink I promptly ordered at the bar. A 16 oz. can of Rolling Rock for $4? Brooklyn definitely deserved a second chance.

I wasn’t at this show alone. You could argue I was far from that status- I was a friend of the band! But my buddy had other friends to attend to, band mates, and a looming set. I was a Single Entity and I didn’t want to be the kind who needs babysitting.

Every time I host an event, I always invite a couple “Single Entities”- people I am friends with, but we have no mutual friends. Or “Single Entity by Circumstance”- we have mutual friends, but none of them show up. The Single Entity Situation can go one of two ways: they mingle beautifully, you don’t even realize they came alone, and you can’t wait to invite them to your next party OR they don’t talk to anyone, force you to keep checking in so they aren’t awkwardly alone in a corner (I call this “babysitting”), and get written of your party guest list forever. Tonight I was a Single Entity by Circumstance and I vowed, with my whole being, to avoid a need for babysitting.

Besides, I owed it to my teenaged-self not to be a wallflower. Show such as this have a male to female ratio that is rare in my life , 60:40 to my advantage. Yet, it was just like high school, none of them approached me. I knew my proximety to my band buddy wasn’t helping. He’s a tall, good-looking guy (I can now say that because he finally shaved his gross, full-on mountain man beard to reveal a handsome face) who I’ve never so much as kissed. I distanced myself from him during the opening band’s set. Also during the openers set, the awkward head bobbing of the eligible bachlers gave me further insight into why they weren’t approaching me. I sighed.

Along with the head bobbing, something else had caught my eye during the opening song. The lead singer/guitarist on stage was wearing a San Francisco Giants shirt. He was also cute, an attribute which a guitar in hand usually enhances. Not to mention the obvious passion for music. I wondered if he was from San Francisco. I wondered if I could strike up a conversation with a lead singer from a band. This would have seemed entirely unthinkable in high school- no way. But now? Let’s see…

I got my opportunity as the second band of the night finished their set and Snakes Say Hiss was setting up. I touched his shoulder, I liked your set, I said. Easiest pick-up line ever. He turned around, looked as me, and a smile lit up his face. I’m always a sucker for smiles. “What did you say?” he replied, loudly. Even between band sets, the DJ kept the space full of loud music. I said I liked your set! I yelled. “Thanks!” he grinned. My first impression was he was genuine, completely free of cockiness. Are you a Giants fan? I questioned. “What? No. Why?” He answered, bemused. Your shirt. I gestured, Guess you’re not from San Francisco then. “Oh,” he said, still smiling, “Nope, I’m from Florida. I got this shirt cause the guy has the same name as me.” Acceptable answer. We yelled at each other some more until the headlining band started to play.

Well I did it, I thought to myself, I approach a guy, made his entire face light up with a smile, and carried on a mildly flirtatious conversation. My teenage-self would be so proud, and likely agog. During the set he yelled several things in my ear. I don’t remember what he said, but I do remember how his shoulder-length hair (which was clean and suited to him) smelled, how close his mouth was to my ear, and at one point he put his hand on the small of my back. The set ended and he bolted, “I’m up next to DJ!” he said, and disappeared behind the set-up in the corner.

And I was left on the floor all alone. My buddy was packing up his equipment, my prospect plugging in his laptop, plus I was sobering up. I stood vaguely missing my girlfriends. And then just decided to dance. So what I’m alone. I am a Single Entity and I rock it. My prospect was playing great music, the kind my friends would have on a playlist: Michael Jackson, Journey, Mariah, Beyonce. Classics along with recent hits. Nothing you would steriotypically expect out of a Brooklyn band guy. So I danced and people danced with me. Brooklyn Band Guy emerged on the dance floor told me, “This song’s long enough for me to dance to for a minute!” and showed me his dance moves. Which were adorable and so not-trying-to-be-cool that they were cool. He made me smile and loose track of time.

I couldn’t find my buddy anywhere. He had said he was packing up equipment ages ago. Finally I called him on my dying cell phone. He picked up, Where are you? I demanded. “What? I’m home!” he replied. WHAT? I exploded, You’re home? You left with out telling me!?  ”I thought you had left!” I would NEVER leave without saying goodbye! “Sorry!” He apologized, profusely, and I proceeded to yell at him for five more minutes. This is the difference between men and women, right here. A girl friend would never EVER in a MILLION years leave a place you had been together without telling you. NEVER. It goes against any Girl Code ever written. But a guy? Yes, I guess he would. I was livid. I am independent, I knew I’d be fine on my own, but it was the principle of the thing. Needless to say, my buddy will never do anything like that again.

I went back inside to have a drink of water. And figure out how to leave. I liked the though of seeing this Brooklyn Band Guy again. As I approached I saw him talking to another girl and my heart sank. Looks like he’s just polite to every one. It’s not like he’s been coming on to me strong, maybe he’s just friendly. I almost left then and there. That’s what I would have done 5 years ago. But then I though Hell, why not say good-bye. It’s polite. So I said good-bye and he looked sad to see me go. Then he said “We should hang out sometime” and we exchanged numbers. There was a moment where we almost kissed but didn’t.

I left Brooklyn at a very late hour that night with butterflies in my stomach.

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December 12, 2003 I received an abysmally thin envelope embossed OBERLIN COLLEGE in the left hand corner. My heart pounded in my ears as I ripped it open: Just cause it’s thin doesn’t necessarily mean… I extracted the single sheet of paper where the phrases Unfortunately and We regret and Wish you all the best accosted me. That was it, it was all over. I didn’t get into my first choice college, the one my heart was so set on I applied early decision. I felt numb and captured my feelings of hopelessness in a one sentence entry in my high school blog: “I want to get super fucking drunk and pass out.” A normal 17 year-old girl would have called and cried to her friends. But I had, still have, loner tendencies (along with academically inclined friends, most of whom would later get into Oberlin but go to Columbia or Yale instead).

LIVE 105, a local radio station, was having its holiday “NOT SO SILENT NIGHT” concert that night, featuring Rancid, Jane’s Addiction, and my favorite band at the time The Offspring. I put on my Chucks, Dickies, my Amoeba Music shirt (which I still own and am in fact currently wearing) and told my parents I was meeting friends. Lies. I was in a “Fuck the world, I don’t have any friends” mood. And at the time I didn’t own a cell phone, so it might as well have been true. I walked the Bill Graham Civic Auditorium in San Francisco, the same building my high school graduation would be held 6 months later, determined to drown out feelings of failure with music that would leave my ears ringing ’til the wee hours of the morning.

A block from the venue I met a large intimidating man, “You going to Not So Silent Night?” he barked at me. I nodded, not making eye contact. “Sold out.” he informed me. I fought back tears. Was I doomed to fail at everything in life? Now what was I going to do? The man pulled out 3 tickets from his pocket, “How many do you need?” Just one, I squeaked. “$100.” More than double the door price. I only have two $20s, I said. He grunted “Fine.” Handed me the ticket, took my cash. I smiled at my good fortune. It wasn’t until I was in line to have my ticket scanned that I considered the possibility of being scammed. Knowing my luck…I held my breath as they scanned my ticket and let it out as the security guard waved me in.

I spent the night wandering around the huge event space as a wallflower, hoping someone would talk to me. There was no chance I’d approach someone, their rejection on top of Oberlin’s would have left me huddled in a corner in a fetal position.   Nearly everyone was over 21 if not a full decades older than me. Iggy Pop was in the line up. I looked like a little lost child, shuffling around in my oversized red sweatshirt, my hair pulled back in an asexual sloppy bun. The effect was androgynous, not in a sexy high fashion way but in a this-stops-creeps-from-hitting-on-me-way. It was so affective creeps didn’t even notice me, but neither did anyone else.

I flung myself into a mosh pit of sweaty men that night, many of whom weighed at least twice my standing 125lbs. That was the only human contact I was so desperate for. The pain of hurling myself against other bodies was exhilarating and made me forget my disappointments. I admired the bruises that popped up all over my arms the next day. They were my battle scars. I went to a lot of shows by myself from age 15 to 17: NOFX, Reel Big Fish, Stroke9, The Aquabats, Sugarcult, One Man Army, The Matches. Smacked into over a hundred random people I’d never see again. I took pride in being the only girl in a pit. I always clung to the fantasy that a cute boy with chunky glasses, dimples, and floppy hair would come up to me, “I saw you out there, only girl in the pit! You’re awesome!” We’d dye our hair from the same bottle of ManicPanic, write poems on each other’s Converse, and make out listening to records of obscure, non-mainstream punk bands. That never happened.

When I turned 18 and entered adulthood, shows lost their magic. I belonged to the college community, I didn’t need the punk rock, outsider embracing world any more. My teenage dreams became distant memories.

You’ll still find me at the occasional show. They’re fun, I like music. These days I always go with friends, often my roommate who works in the music industry and gets comp tickets. So the other day when I found myself alone at a show in Brooklyn, I knew I owed something to my teenaged self. It wasn’t a final spin in a mosh pit, I can tell you that. The the minute one started, I backed away rolling my eyes- I’m so over mosh pits. They’re so 2002. I owed something to my teenaged and current self: proof of how far I’ve come since my wallflower days. 

To be continued…

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Well guys, this is it.

My last entry on the clock. The last entry I can technically say I’m getting paid to write.

No, no one pays me to write this blog (big surprise right?) but my last dozen entries were written while I was on the clock, in the moments of so familiar to the administrative assistant- the phone isn’t ringing, reports are completed, mail’s been sorted- time must be killed. I hate to think what the secretaries of yore did sans computers. Us modern day office people sit in front of the machine that provides  society with more time wasting options than ever before. It’s either great or gross, your pick.

It’s my last half hour behind a desk. My bedroom is too small for a desk- that’s New York living- so all entries henceforth will be written from the comfort of my bed or the kitchen table. Or at Starbucks (or some other free internet venue) where people will oggle my netbook and I will feel pretentious.

I am not sad to leave this job. I think I’ve made that clear in previous posts, but I just want to reiterate. Let’s be honest, the 9-5 world kinda sucks. When the clock strikes 5pm today, I’m officially a working actor. I can say this because most of being a working actor is looking for work to pay the bills between jobs. That’s all I will be doing for the month of May. I’ve already started calling temp agencies, so who knows, I could be in back of a desk by the end of the week. But I already have some promotions lined up. Liquor, dodge ball, and protein bars. Hey, it’s better than theater consession sales and desks.

Though I will miss the theatre aspect of this job. I never benefited off the refreshment aspect-rather felt my eyes grow green with jealousy as a Jack Daniels connection gifted my manager multiple bottles of Jack- I have certainly benefited from the theatre part. I’ve seen half a dozen Broadway shows for absolutely free. It doesn’t get better than that. I was somewhat choosey with my picks- and therefore great enjoyed each one, but I can easily rank them:

1. Next to Normal Oh my goodness, I’ve never cried this much while watching a play. The music is great, the story original (this is a rare that a musical has no source material), and it is so well performed. I often have trouble watching musical theatre, it so often leans to showing show-men rather than showing humanity and that is what this musical captured beautifully

2. A View From The Bridge Liev Schreiber was brilliant and Scarlett Johansson not half bad. This play had the effect on me that tragedy aims for- catharis. I love leaving a theatre when a play has transformed my mental state, this and Next to Normal did just that.

3. Red A two person single set play, I am a sucker for them. About Mark Rothco and his abstract paintings, which are easily the most scoffed at paintings in the MOMA. Brilliant performances from both actors. I love when performers make me abandon my critical eye as an actor/director and just suck me into a performance.

4. God of Carnage Strong performances, single set, the rave reviews and last years Tony award gave me high expectations which were not met. I felt like the play had the potential to say more, I was waiting for its point, which never exactly came and I looked at my watch far to many times in the 90 minute run.

5. Behanding in Spokane Again, high expectations that were not met. I love Martin McDonagh and have read the majority of his plays. This is my least favorite. That said, I still enjoy his dark twisted humor and Christopher Walken was captivating in this.

6. La Cage Au Folles A lot of fun, just not my cup of tea. Apparently I like make-me-cry shows not feel-good ones. Really I like shows that have something to say and/or affect me significantly.

7. In the Next Room: The Vibrator Play Interesting subject-”hysterical” women and how hysteria treated in the Victorian era- presented in a straight forward way. Interesting but did not affect me

As I finish this post and pack up my things, “accidentally” slipping a box or 2 of tissues into my bag as well (and a pen or 2 and I printed out a bunch of resumes..), the girl who hired me and who told me I was fired says good-bye. Before she leaves she mentions if I ever want to see a show to just give her a call! Looks like I’m not even loosing that perk! Brilliant. Ok finished! Now to clear the computer history, turn it off, and I’m out of the office and on to better things!

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