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Posts Tagged ‘acting’

“Pack it in!” I screech, “Like sardines! Think sardine-y thoughts!” I beckon to the groups tentatively stepping in the small, dark holding room. It’s approximately the size of a closet, with dirty carpet on the floor and flickering (electric) candles on the wall. A claustrophobic’s nightmare. “Get closer to me, I don’t smell! I’ve washed this week, I think,” I pipe, my cockney accent making my voice particularly shrill. Perhaps the group I’m addressing is this: a nuclear family- mom, dad, teenaged son and 8 year-old daughter, a date- a tall, muscular man and his busty girlfriend, and a birthday party- eight 10 year-old girls and a chaperone. Once they’ve all squeezed in, the door closes. It’s very dark, especially to those who’ve been waiting outside in the bright sunlight, which may elicit gasps and giggles (especially from the 10 year-olds).

“Alright, everyone! My name is Minnerva Killgoar [spelled weird to avoid searches] and I’m one of the maids here. I’m actually one of the nicer people you’re going to meet tonight, I’m afraid. Not everyone is as nice as me here, or as pretty. Like our test administrator, Ichabod Gory. He’s rather…icky..as his name might suggest. Oh you didn’t know this was a test? It’s a test of bravery. If you pass, you’ll go in, get seated, have a lovely dinner. If you fail…we may all die here together! There’s no going back! Ichabod, where are you?”

That is some version of the speech I give before “Ichabod Gory” , an animated little skeletal man, appears on the television at the far end of the chamber. He gives a little speech which ends with the initiation of the test: the ceiling of the room begins to lower. I gasp, point to it, and then get everyone to “muster all your bravery into your little finger and point it to the ceiling and say, ‘I AM NOT AFRAID!’” The ceiling stops, Gory announces “You passed”, and I get to heave open the door and pass these people off to the hostess.

Sorry friends, I am not a sexy maid. My costume is nothing like this.

See? Not sexy. This is basically what my costume looks like and yes, it makes me more or less shapeless.

This is the most boring part of my job. I’m doing interactive improv theatre at a theme restaurant in Midtown. I am solely hired as an actor, playing the part of a maid. Occasionally someone will ask me if I can get them a drink refill and my character apologetically says “I’m only a maid here. I’m not qualified to do anything but dust. I tried to bring someone food once and I spilt it all over the walls. They don’t allow me anymore.” I’m thinking to myself “Hell no I’m not bringing you anything. I’m being paid to say and do weird and funny things, and that’s it! HA!”

Minerva is a dodgey cockney maid who often pulls her apron over her head in fright and thinks she has telepathic capabilities. This means she walks up to people and says “I am getting a strong vibe…the universe is telling me you are not from New York City.” Well yeah… I’m working at a tourist trap. She is also fond of approaching bald men and peering into the depths of their bald spots and seeing the future. Dangerous, I know, but I’m great at gauging who can take a joke and who is too self conscious about their thinning hairline. Minerva’s hobby is making grown men scream like little girls, “I believe every strapping, macho looking man has a little girl inside him, just camping out on his solar plexus. I was hoping to make her scream.” 

The walls of the restaurant are adorned with artifacts and experiments. The ambiance is that of a social club for bizarre scientists and explorers. There is a mummy in one corner, a suit of armor in another, a fireplace with a werewolf bust over it, a statue of a Greek god rotating in the middle of the room, a strange zombie band, to name a few. They are all animatronic puppets controlled by an actor in a control booth. I’ll spend an hour out on the floor as my batty maid, then half an hour in the booth being the teenaged werewolf, the crotchety mummy, and all sorts of other weird characters. It is fun and madly different from anything I’ve done before. I’m interacting with people by squinting at them on a little black and white television screen and straining to hear them overhead phones.

I can’t complain. I’d rather do that all day than bring people Pepsi. I’m getting paid to sing like a werewolf practising for his “Twilight the Musical” audition (heaven forbid that actually becomes a musical) and make up amazing dance moves with a feather duster.

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I am not exactly the young engenue,  leading lady type. I am more the quirky⁄weird⁄flat-out crazy type. Those are the roles I find most fun, no question. But, probably because I am not fat (which I am convinced is the only reason I was not cast as the nurse in my college production of Romeo and Juliet-three years later, still not over it), I occasionally do get cast as the Romantic Lead.

My very first semester of college I was cast as Catherine, the love interest, in Pippin. I was super excited, my first semester of college, my first lead in a musical. In my high school freshmen never got big parts, so to me this was a Big Deal. The (cute) guy that was supposed to play Pippin dropped out (hello college theatre) and it took the director (“director” I should say, he was the poorest excuse for a director I’ve ever worked with) a while to find a replacement. I waited in anticipation. Would this new guy be my love interest on and off stage? That’s the sort of thing that happens in college, right? As this was musical theatre, I figured if not a boyfriend, at the least I would get a gay boyfriend. I was in need of both after all. I vividly remember Pippin walking in the door. Slightly overweight, bad skin, and poorly dressed. Not My Type. Not Gay. Fuck. Ten minutes after introducing myself to him I added “boring” to the list. The next day after rehearsal, I added “mediocre singer, abysmal actor, AND he smells funny” to the list. (Knowing my luck, he probably reads my blog…)

Hey, I was a bitchy, judgemental, disappointed, sullenly single, freshman (I’ve grown up since, I swear). Could I make it more clear he was not a love interest off stage? And yet, every one thought otherwise. Rumors flew around the cast I had a huge crush on him, friends came to see the show and raised eyebrows. You act like you’re in love with someone on stage, people watching that don’t understand it’s acting. Freshman year I was upset, offended- “You think I like him!? GROSS.” By the end of the run of Pippin, I learned to take it in stride. Now it’s as a huge complement if I’m accused of being interested in my onstage love interest, if his girlfriend gives me a mega Stink Eye after seeing the show. Clearly I’m producing a convincing, believable performance. What more could I want?

So did I have a crush on the guy who played Sir Francis Drake this summer? No I did not. But thanks for asking.

I still haven’t gotten to melons…more on melons to come.

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I must confess, I haven’t been myself lately.

I’ve been a different wench entirely:

Allow me to introduce you to her. ……………………………………………………………………………

They call me Consequence Wailes. My mam did leave me below the decks of the pirate ship The Albatross, like Moses were left in the rushes of the Nile. My wee babe self was not discovered until the ship were well at sea. There be no turning back, so it were decided my wailing self should be tossed overboard, for there be no place on board ship for a prattling child. Yet no man could do the tossing. All did harbor an inkling deep in their bosoms that they may have done the fathering of me. And so I were not cast down to the briney bottom, but instead have sailed on sea, by the mercy of Poseidon, all my short life.

The crew of The Albatross did call me Consequence, for I were a “consequence” of their philandering. As prattling babes do, having no use for words, I did wail muchly. I myself were a part of the captain’s orders. “Raise the sails! Larboard! Starboard! All hands on deck! Consequence wails!” And so that be the only name I do know, Consequence Wailes.

Indeed, thou shalt remember such a name, for it shall go down in the catacombs of history. For (as thou dost witness above) I, Consequence Wailes,  did walk the plank and did not die. As thou mayst know, this be a task no man, beast, fish, frog nor bird hath e’er done in all the history of the world, yet I, Consequence Wailes, did do it. I did look into the face of death, and I did laugh. HarHarHarHar Death!

Yes, dear readers, this is how I spend my weekend in Bumblefuck. No picnicking in Central Park, no street fairs, no Broadway shows, no clubs on the LES. From 10am-7:30pm Saturday and Sunday, I am Consequence Wailes. She is quite energetic, a bit bumbling, very school-girlish, and I’d like to think, rather hilarious. Generally at her own expense. She was raised by pirates, that explains most things and answers the frequented question: No. I am not a sexy pirate. Consequence is most often called adorable,  even when she tells people she stole her miss-matched earrings from the bodies of two dead men.  So it seems I’m an adorable pirate. Who ever heard of such a thing? Hilarious, no? Hardyharharhar.

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There is Good News and there is Bad News, to the extreme on both ends.

Fortunately the Good News happened first. Other wise I might not have made it through the week.

Us new New Yorkers get asked “So why did you move to New York?” all the time. It is often a precursor to the discussed What’s the difference between the East Coast and West Coast? My answer is generally “Theatre.” Yes, I am an aspiring actor, in case you forgot, and it wouldn’t surprise me if you had. I’ve been doing much more aspiring than acting these days. And honestly not too much aspiring even. With ENT bills still haunting me and Mahattan rent, making money has been my #1 priority for many months. I’ve assistant directed a play and been on a handful of auditions but I have to admit it’s been on a hobby level. Which I’m okay with- putting off pursuing my dreams for a bit is fine, plus I’m pursuing my dream of living in NYC which is impossible without money. It’s all relative.

We artists are obsessed with “selling out”, “failure”, “giving up”.  Right, these fears only plague artists.

Any how.

On Monday, 7 minutes before the end of my desk-job work day, I received a call from the only audition I’d been on in April (maybe I’d been on 2, but I don’t think so) offering me a part. A paid part. An offer to pay me money to do what I love.

You want details? It’s an offer to be a part of “the oldest full-time professional acting troupe of any Renaissance Festival, and the inspiration behind many interactive entertainment groups in major theme parks across the country” to quote the website. The part is that of a female pirate, “piratess” (yes, there were pirates during the Renaissance just ask wikipedia, and yes, female pirates did exist, though rarely: it’s legit) in a band of 3 pirates out of 30 actors in the over all ensemble. The contract is from June 1-August 16 with the festival only on weekends, meaning the rest of the week is devoted to rehearsal annnnd basically summer vacation because it’s all in upstate NY, 6 hours away from NYC and they provide company housing (and board on the weekends). Spending a summer pretending I’m a pirate, swimming in Lake Ontario, star gazing, hiking, and other “middle of no where” (as we refer to it in NYC) activities; free rent, and a weekly pay check? Or sitting at a desk from 9-5 on beautiful sunny days, dreaming of evenings spent doing all the million awesome things there are to do in this city in the summer and weekends at the beach? Not too much of a contest. I will sorely miss Shakespeare in the Park, roof top bars, outdoor movies, my friends, etc. etc. But trading in the Administrative Assistant title for that or Professional Actor? That’s my dream right there. And June 1st, it looks like it will be coming true- I signed the contract (!!! contracts scare me) but have yet to receive my counter signed copy, so it’s not 100% official.

My reaction to success surprises me. I would imagine myself ecstatic at such an offer, shouting from the rooftops  with glee. It’s much more mixed than that. There’s fear in such success, disbelief, worry that it’s too good to be true.  In this particular example- worry about subletting my apartment for the summer, being unemployed on August 16, telling my office I’m leaving. I guess that makes me a grown up.

Now the bad news.

I decided not to tell work immediately that I was leaving. Wait for 3-4 weeks notice. My superior recently gave me a wink while talking about previous people in my position, how long they stayed on for, and how nice it would be to have someone stick around for a couple years. I could have told her right then and there I wasn’t planning on doing that, but instead pretended it might be an option, and now that I wasn’t even getting past my 6 month mark I felt a little bad. Not that I had signed a contract here or anything.

On Friday however, I learned that quitting my job was nothing I would have to worry about. Because on Friday I was, abruptly, never-saw-it-coming, no-kind-of-warning FIRED. I’ve never been fired before ever. It was shocking to say the least. Everyone who is in the office on a normal basis was about as shocked as I- or so I’ve been told. My firing was in the hands of the Big Boss Man (with the Prostate Problem) who is, as I’ve mentioned, almost never in the office. He had never reprimanded me previously, never mentioned I was doing an unsatisfactory job and needed to improve or face consequences. Maybe it’s because he found my blog, but I highly doubt it.

I’ve been told I was let go because my sales reports had too many detail errors. I can’t deny this, but will say the majority of these errors were because he demanded the reports prematurely, expected me to understand things with no explanation, or because the creator of the report told me it was “ready to go” when it wasn’t. I trust people and don’t read minds. It’s all an extremely aggravating reason to loose a job.

To add to it? They told me I could stay on until the end of the month (April) and needing the money, I accepted. So, as I type I am still behind my desk. Fuming as it is Administrative Professionals Day and no one gives a shit about me. It is awkward as hell working here knowing I’ve been fired. Talk about no motivation. I mean, what are they going to do? Fire me? And no one is talking about it. It’s this huge elephant in the room. I’ve named him Marvin. Marvin the Elephant is the only one in this office who understands me.

Whatever. I was going to quit any way.

So here I am, 8 more days stuck at a desk, 1 month of unemployment, a summer of professional acting, and then…who knows. I have a 4 month plan- that’s more than I can usually say.

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Fall 2008. Election season. It’s all everyone and their blogroll is blogging about these days. Palin, McCain, Bidin, Obama, yada yada. I’ve clicked a couple job postings on craigslist with titles along the lines of ”Bloggers wanted!”, thinking how incredible it would be if I could profit off writing I’d do anyway, but are they interested in theater and New York escapades? Nope. They all mention special interest in political posts. Well, that’s just not my scene. I’m not apathetic, I’m passionate about certain issues, I will most definitely vote in November, you can probably guess who I’ll vote for. But it’s not particularly interesting to me and I have absolutely no desire to delve into the mess of this campaign in my little corner of cyber space. Pass on politics.

Well, that was my original plan until last night when theater and politics collided in a particularly unforseen way.

We were warned at the start of our shift, long before the house opened. Greg, who shares charge of the same section as me, and I had a brief discussion and agreed they would be sitting in our section. Seriously (as previously discussed), anyone who’s anyone sits in our section. Sure enough, mere moments after this chat our supervisor approaches us, They’re sitting in your section. You don’t need to do anything really, the secret service are five billion times more scary/capable/better paid then you know what to expect. Can you handle it? I’ll move you if you think it’ll be to much. And miss out on being in the center of the action? Are you crazy? We will handle it!

Over the next half hour the theater fills up as usual. Lots of “up the stairs, 3rd row to your right” and “it ends around 10:40″ nothing exciting. Then at about 7:55pm I see a procession arriving from the stage door entrance and before I even look over, the theater erupts into applause. Flanked by huge men in suits and intimidating earpieces Hillary, Bill, and Chelsea -the entire Clinton family minus Socks- enter the theater and head straight toward my section.

This super high profile political family having a night on the town, going to see a rock musical in Central Park. Wow, who would’ve thought? It was amazing to watch how their presence effected the entire show. The audience had a level of energy and excitement that you usually only see at sporting events, events where the outcome of the night is not predetermined. This energy and excitement was also noticeable in the cast. By their seventh week of the run where I had seen every show, I definitely noticed the novelty wearing off, the tediousness of performing the same thing every night setting in, moments of phoning it in- all extremely subtle and surely only something a fellow actor would notice. Well, with the Clintons in the house the cast performed better, fresher, with more energy then ever and it was truly awesome to watch. There is a moment in the show where one character goes into the audience to point out his mother, “Oh my God, my mom is here tonight! wave to the people, Mom. I love you.” Every night a different woman is chosen- sometimes she looks like she could be his mom, sometimes she’s a hot chick, sometimes she’s not even a woman. That night he got Hillary to stand up in the role of His Mom and it was hilarious.

My section at intermission was a mad scene. Everyone in the theater wanted to say Hi and shake the hands of the former president and senator. Greg and I went crazy and I thoroughly lost my voice yelling at people “Ladies and gentlemen this is a fire hazard! You need to clear a path! CHILL THE FUCK OUT!!” I certainly earned my minimum wage for that hour. I was expecting an even worse situation after the show, but the secret service suits blocked off the area right before curtain call so all I had to do was my usual “make sure no one takes pictures” duty. This puts me facing the audience as they watch the bows. Which had me 2 feet away from Hillary, Bill,and Chelsea. I did a pretty awful job looking for cameras that night, I hope people appreciate the illegal pictures they were able to snap because I couldn’t resist watching the Clintons as they applauded.

I watched in hopes of answering my burning question: how did they like the show? Their response was positive, they stood up with the rest of the crowd, clapping along, they didn’t leave at the earliest possible moment- but as I stood searching for an answer I was hit by I scary realization.

There was no way in hell I’d ever know.

That’s not the scary part, that is the duh part. The scary part to me was realizing that no matter what they actually thought of the show, the only way they could ever respond to the show was the “appropriate way”, the way they were “supposed to”, the way the public would want them to or think that they should. As I stood there sneaking looks, realizing this, I was overcome with sadness. The actors on stage were all done with their performances for the night, but here Bill, Hillary, and Chelsea were continuing theirs. Their act is one that carries through any public appearance of any kind. I imagined how awful it must be to not be able to be yourself for fear that people won’t like you and thus not vote for you. How awful to try to get everyone to like you. To kiss the babies, shake the hands, smile even if you feel like shit. I watched Hillary’s plastered on cheerful face as she applauded and realized how much politicians have in common with actors. We say the world is our stage, but that is bullshit when you think how literally true it is for politicians. Humbling.

As they left the theater I gave them a wave good-bye, they’ve done so many good things on a world scale and on top of that they support theater=major respect from yours truly, which they saw and then, with a look of sincere thanks in their eyes, both Bill and Hillary sought out my hand to shake as they departed. Wow. Quite a night.

I have a whole new understanding of politics from this and while in awe it also makes me strangely sad.

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